我们构建的世界是个什么样？ 　　《游乐场》之后两个月，我完成了这部作品。灵感来自一种视幻效果，比如埃舍尔的画。创作这部电影我用了等距画法。我的想法是只用长方形和平行六边形的转换来完成一部很牛的作品。我用了几何动画的方法，一种用在电影《大都市》中的技法。和《奇特细胞》一样，我也延续了它的创作手法。我希望最终发现第三种另类的方法用在我的电影里。

我们构建的世界是个什么样？ 　　《游乐场》之后两个月，我完成了这部作品。灵感来自一种视幻效果，比如埃舍尔的画。创作这部电影我用了等距画法。我的想法是只用长方形和平行六边形的转换来完成一部很牛的作品。我用了几何动画的方法，一种用在电影《大都市》中的技法。和《奇特细胞》一样，我也延续了它的创作手法。我希望最终发现第三种另类的方法用在我的电影里。

A girl is preparing to meet her lover for a secret rendezvous in his car on a secluded forest side road late at night. Just as they settle in, they begin to sense that someone-or perhaps something-hidden in the darkness is silently watching them.

戈壁大旱，爷爷呼和种下的大片梭梭苗枯萎，回家乡要接奶奶治病的吉雅，和赛车手童家豪在冲突纠葛中克服困难救了树苗，又和时间赛跑抢救奶奶，两个年轻人…

在一户传统韵味极浓的人家，房屋四周摆满了各式各样的鸟笼子。身着旗袍的妙龄女子演奏哀婉的曲调，而白白胖胖的公子哥则斜躺在椅子上享受舒适的时光。就在此时，一声巨响，惊醒了胖子的白日清梦。墙上他当年的画像落地，似乎勾起了胖子对往日的回忆。他翻箱倒柜找出珍藏在箱子里的辫子，起身外出，找到了早已熟识的理发师。他们彼此心照不宣，一个眼神，一个动作，便明了对方的心思，默默落座。 　　辫子辫子，曾是大清老爷们儿的命根子，是他们剪不断理还乱的故国残梦。步入泛舟出海，追寻旧日痕迹……

In India, Smita is an untouchable. She dreams of giving her young daughter an education and will go to any length to make that happen, including leaving behind all she knows in search of a better future. 　　In Sicily, Giulia works in her father’s wig workshop, the last of its kind in Palermo. When her father is the victim of a serious accident, she discovers that her family’s livelihood is at stake. 　　In Canada, Sarah is a twice-divorced mother of three children and a successful lawyer whose identity is wrapped up in her work. Just as she expects the promotion she’s been working her entire career for, she learns she has breast cancer. 　　The Braid is a vibrant and singular reminder of what connects us all – across borders, across languages, across cultures.

In India, Smita is an untouchable. She dreams of giving her young daughter an education and will go to any length to make that happen, including leaving behind all she knows in search of a better future. 　　In Sicily, Giulia works in her father’s wig workshop, the last of its kind in Palermo. When her father is the victim of a serious accident, she discovers that her family’s livelihood is at stake. 　　In Canada, Sarah is a twice-divorced mother of three children and a successful lawyer whose identity is wrapped up in her work. Just as she expects the promotion she’s been working her entire career for, she learns she has breast cancer. 　　The Braid is a vibrant and singular reminder of what connects us all – across borders, across languages, across cultures.